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Subject: [humanmarkup-comment] **PC-24-Section 4.2.24
- From: Rex Brooks <rexb@starbourne.com>
- To: humanmarkup-comment@lists.oasis-open.org
- Date: Thu, 14 Nov 2002 10:32:38 -0800
Title: **PC-24-Section 4.2.24
**Same as Sign
24. Sylvia Candelaria de Ram, Section
4.2.24 Symbol, major corrections in explanatory text
that have been done in the current versions
on the website because the explanatory text versions contained a
mistaken copying operation and repeated a variation of the definition
of signal even in the usual repetition of the title. So here you will
see a new form of notation:
From: >To: >To:
This progression moves from the erroneous text
to correct text as it now appears in the current version
to proposed text
From:
"Human Signal
A perceptible change in an environmental factor that can be used to
transfer meaning. The basic function of such signals is to provide the
change of a single environmental factor to attract attention and to
transfer meaning. The vocalization of language is a clear
example."
To:
"Human Symbol
Any device with which an abstraction can be made. May inlcude written
and spoken language as well as visual objects. May include a process
of symbolization. May be culturally specific and often used as a means
to communicate cultural values. May and often do appear in clusters
and depend upon one another for meaning and value."
To:
"Human Symbol
No proposed text. This needs some serious
discussion.
Sylvia's argument:
The following is a pretty
clear description by cognitive-science folks of traditional semiotics
terminology for symbol . Symbol in semiotics is a TYPE of sign.
The key distinction is that symbol is taken to be based in
social convention. In contrast, mapping of physical nature of a
referent characterizes icon type; stemming from a cause,
"index" type. (-- Hardly anyone uses "index"
in this technical sense, however; instead lay senses of
"sign" or even "signal of" appear instead as in
Len's examples in our discussions).
http://www.indiana.edu/~educp550/shtcrs.html
Semiotics, An
Introduction
Donald J.
Cunningham
Indiana University,
Bloomington
Gary D.
Shank
Northern Illinois
University
Excerpt:
"Peirce focuses upon
the relation between the sign and its object and proposes three ways
in which the sign can stand for its object: as icon, index or
symbol.
An icon is a sign that
stands for an object by resembling it, not merely visually, but by any
means. Included in this category of sign are obvious examples like
pictures, maps and diagrams and some not so obvious ones like
algebraic expressions and metaphors. The essential aspect of the
relation of an icon to its object is one of similarity, broadly
defined.
Indexes refer to their
objects, not by virtue of any similarity relation, but rather via an
actual causal link between the sign and its object: smoke is an index
of fire, a weather vane is an index of wind direction, a mark on a
fever thermometer is an index of body temperature, and so forth. The
relation between the sign and its object is actual in that the sign
and object have something in common; that is, the object "really"
affects the sign.
Finally, symbols refer to
their objects by virtue of a law, rule or convention. Words,
propositions and texts are obvious examples in that no similarity or
causal link is suggested in the relation between, for example, the
word "horse" and the object to which it refers. In this
category especially the potential arbitrary character of signs comes
to the foreground. If symbols need bear no similarity or causal link
to their object, then the signs can be considered by the sign user in
unlimited ways, independent of any physical relationship to the sign
user. This point is of crucial importance and, in fact lays the
foundation for the semiotic view of cognition in humans.
If signs stand for other
things, such that these other things are brought to mind when the sign
is used, then we have a case where a system of signs acts as some code
for some system of objects. Why are codes necessary, when all they do
is fill in for their objects? Here we stress again that a sign stands
for its object not completely, but in only some aspect or ground. If
the sign and the object were equivalent, the sign would be the
object.
Given that signs are
incomplete equivalencies, it is possible to determine signs by means
of some set of rules for those equivalencies. In this way, a series of
signs can be linked together in a true code, where the rules not only
express the state of affairs of certain objects, but where the code
rules can be manipulated so as to generate new versions of expressions
and arrive at new forms of content. Signs, because they are only
incompletely equivalent to their objects, are thereby free to have
characteristics of their own. Crucially, these characteristics can
include coherence with other signs to form a system of signs that are
related to their object, on the one hand, and to the other signs in
the system on the other hand."
--
Rex Brooks
Starbourne Communications Design
1361-A Addison, Berkeley, CA 94702 *510-849-2309
http://www.starbourne.com * rexb@starbourne.com
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